Turkish hip hop refers to hip hop music produced by members of the Turkish minority in Germany , and to a lesser degree by hip hop artists in Turkey . The Turkish minority, called the Turks , first drew inspiration from the discrimination and racism they received while living as migrant workers in Germany beginning in the 1960s. Turkish hip hop uses Arabesk music, a folk style that finds its roots in Turkey during the 1960s, and is influenced by the hip hop music of America and Germany. Album artwork, lyrical content, and the Turkish language are used by hip hop artists to express their uniquely Turkish identity. The first Turkish hip hop album was recorded by the Nuremberg , Germany group King Size Terror in 1991. Islamic Force (now known as KanAK) is often recognized as the beginning of Turkish hip hop. Turkish hip hop is still used as an outlet for many who feel marginalized as Turks living in German society.
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Turkish tango music is an established variation of the Argentine tango but whose rhythm follows the Ballroom tango. It was one of the most popular music forms for decades in Turkey.Tango arrived in Turkey soon after the nation was formed in 1924. Seyyan Hanim recorded the first Turkish language tango, Necip Celal's Mazi ("The Past") in 1932. Tango orchestras and singers include Fehmi Ege, Mustafa Sükrü, Kadri Cerrahoglu, Necdet Koyuturk, Celal Ince, Secaattin Tanyerli, Birsen Alsan, Ibrahim Ozgur, Mefharet Atalay, Birsen Hanim, Afife Hanim, Saime Sengul, Nezahat Onaner, Zehra Eren, and Orhan Avsar.
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Classical Turkish music (Turkish: Türk sanat müziği, "Turkish art music"; or Klasik Türk müziği, "Classical Turkish music"), sometimes known as Ottoman classical music, developed in Istanbul and other major Ottoman cities and towns through the palaces and Sufi lodges of the Ottoman Empire.[1] Above all a vocal music, Ottoman music traditionally accompanies a solo singer with a small instrumental ensemble. In recent times, instruments might include tambur (lute), ney (flute), kemençe (fiddle), keman (Western violin), kanun (zither), or other instruments. Sometimes described as monophonic music, the variety of ornamentation and variation in the ensemble requires the more accurate term heterophonic.
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Turkish pop music had its humble beginnings in the late 1950s with Turkish cover versions of a wide range of imported popular styles, including rock and roll, tango, and jazz. This wide collection of songs were labelled as "Hafif-batı" (light western) music and included a wide range of artists, such as Frank Sinatra to Doris Day, Nat King Cole to the Everly Brothers, from Elvis Presley to Paul Anka. Turkish artists began to produce English language cover versions of these songs and write their own too, and the first original song of this type is credited to Erol Büyükburç in 1958 for his song "Little Lucy",[1] which was released as a 10-inch single known as a taş plak. With the emergence of 7-inch (45 rpm) single records in Turkey soon after, listening and distribution of this type of media was easier and thus the sound became more popular.